Lady Anne Rushout – Wanstead’s Forgotten Artist

Anne Rushout | Rushout’s Wanstead | Rushout on Tour

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Lady Anne Rushout (1768-1849)

Modern day Wanstead likes to give a nod and a wink to former local citizens who have played a role in shaping its history. We know all about statesmen Winston Churchill and Sir William Penn, of Sheridan the playwright and of course ‘Wicked’ William Wellesley. But curiously, Wanstead seems distinctly reluctant to celebrate its feminine connections – For example Wikipedia’s ‘notable residents’ of Wanstead list rather embarrassingly contains just one woman, soap-star Jesse Wallace, listed on the basis that she once lived the area!

The most undeservingly neglected lady in Wanstead’s history must be Lady Anne Rushout, who lived at Wanstead Grove from 1817-49.

Plimer 3 graces - Anne on Right 1809

Anne (left), with Harriet (centre) & Elizabeth (right)

Anne was the eldest daughter of John Rushout, Baron Northwick of Northwick Park (1738-1800) and spent a happy childhood with sisters Harriet (c.1770) and Elizabeth (1774). She was well educated: a keen artist, botanist, diarist and poet, celebrated for her grace and beauty. Yet she was not a conventional young woman, & refused to comply with the male-dominated society in which she lived.

ladies of llangollen

The Ladies of Llangollen – a bluestocking shrine

From a very early age Anne was interested in bluestocking literature, making several trips to Wales to visit the famous Ladies of Llangollen, and keeping a commonplace book filled with feminist prose. It is not known if Anne was lesbian, as her family attributed her strong aversion to marriage to the unfortunate death of her fiancé days before their wedding. I have searched the archives without success to corroborate this claim. But it seems likely that Anne came from a very liberal-minded and supportive family, who propagated this story to protect her reputation.

Wanstead Grove 1825

Wanstead Grove – designed and built by Anne Rushout

In 1817 Anne’s uncle George Bowles died, and she inherited Wanstead Grove. Originally purchased in 1759 by Humphry Bowles, it came with approximately 60 acres named the Grove Estate. It was rare for assets to pass to a female relative at this time, and more unusual still that Anne decided to demolished the house, sell off its ‘out-dated’ works of art, and construct a new magnificent mansion in its place.

Wanstead Grove was built between 1818 and 1824. As its completion coincided with the demolition of Wanstead House, it is likely that various fixtures and fittings sold to satisfy Wicked William’s creditors were snapped up by Anne to augment her new home. In fact Anne bought the very first item offered at the Wanstead House auction in 1822, attending most days afterwards – to pick and choose art and furnishings according to her taste.

In effect therefore, when Wanstead lost a behemoth of a mansion, it gained a successor at Wanstead Grove – which became the single most dominant property in the area. More importantly, Wanstead Grove and its beautifully laid out grounds were completely Anne’s creation – thus demonstrating that women were perfectly capable of operating in the hitherto exclusively male sphere of architecture and design.

Anne spent a great deal of her life at Wanstead Grove and was very much part of local society. Far from being reclusive she was always very charitable, leaving significant bequest to the poor of Wanstead after her death in 1849.

Wanstead Grove is long gone now, having been demolished in 1889 to make way for the Counties Estate. Some remnants of the formal gardens remain, such as the Temple (which once stood at the edge of a picturesque lake) and can be seen annually on Open House Day

But the real legacy Anne Rushout has left Wanstead can be seen in three volumes of drawings she made between 1824-1832, which can be found in the British Art collection at Yale University. She records a splendidly rural and naturally beautiful Wanstead at the end of the Regency era. All of these images are freely searchable over the internet, but I have decided to collate them together in two sections covering Wanstead, and further afield.

Disappointingly, Yale University describes Lady Anne as an ‘amateur artist’. This can only be because she was a woman, for it seems to me that her output and quality of work merits far more than label of a ‘hobby’. I hope that Yale and the people of Wanstead will reassess Lady Anne Rushout as an important proto-feminist, writer, and artist – worthy of full recognition and respect.

Further Information

Frustratingly for historians, Anne Rushout’s diaries covering 1791-1827 have been missing since the 1950s. As a frequent visitor to Wanstead House during Wicked William’s era of extravagance, she could have provided some valuable insight into what went on behind closed doors.

However, Anne’s journals 1828-1849 are in the possession of Senate House Library in London & her ‘commonplace book’ for the period 1776-1832, which is an extensive scrapbook of ephemera and jottings about fashionable life, can also be found at Yale University.

An excellent on-line history of Wanstead Grove complete with images of the Temple can be found here.

The Counties Resident Association has produced a great history of the Grove Estate

Kelly McDonald has written about Anne Rushout’s connection with Bersted Lodge

9 thoughts on “Lady Anne Rushout – Wanstead’s Forgotten Artist

  1. Lady Anne also wore a locket around her neck with a cutting of her dead fiancé’s hair till her dying day. This could have been a device that she, being a wealthy and attractive early 19th century woman, may have used to dramatic effect to ward off potential suitors. Clearly she had no interest in men, an alternate version of her story is that her fiancé ran off with and married her younger sister Elizabeth. The fact that there is more than one story suggest that the story may have been modified to suit the needs of the teller. I would also suggest that Anne’s well documented mannish interest and behavior could equally suggest gender identity issues rather than lesbian issues. There is a kindle book about the family that is well researched and could offer more clues. The book is called Northwick Park and is by Richard Bertocci. Curiouser and curiouser.

    • Thanks very much for this additional information Mike. Your point about Rushout’s gender identity issues certainly might explain her attitude towards marriage, which she saw as the subjugation of women.
      I will have a look at the book you suggested.

  2. Thank you for an excellent article. In addition, Redbridge Museum holds 4 watercolour drawings of Wanstead Grove by Anne Rushout. I also came across in the Essex Field Club Transactions, Vol 2, a visit by the Club on 1 July 1893 to Wanstead. The group passed through the former grounds of Wanstead Grove and also mentioned that the Club had visited ‘The Grove’ on 21 April 1888 (see Essex Naturalist, vol ii, p80) and that the Mansion was then unhabited. At the evening meeting (presumably in 1888) “four interesting lithographs of this place on Indian paper, from drawings by the Hon. Anne Rushout…were exhibited at the evening meeting.”

    • Hello Gerard

      Thank you for this information about Anne Rushout
      I would certainly like to see her watercolours of Wanstead Grove and to read the full report in ‘Essex Naturalist’ (1888)

      I still live in hope that Anne might have a road in Wanstead named after her

      All the best

      Greg

  3. Thank you for an interesting post. I’ve just come across Anne in relation to research on the Rushwick/Northwick family, into which her mother married. Anne’s uncle, George Bowles, is an interesting character; his family were originally in glass-making and he was an early patron and great collector of works by Angelica Kauffman – an artist whose works Anne’s brother also collected. I’ve just downloaded a copy of Richard Bartocci’s books and am ploughing through George Bowles’ will to see what I can glean from there. Interesting that you mention botany – did you see this story on the BBC website https://www.bbc.co.uk/news/science-environment-57847727 – similarly, this woman’s father left the family home to her and her sister, as it allowed them to be independent (cf Pride & Prejudice!).

    • Hello Anne
      Lovely to see someone else beiong interested in Anne Rushout. Much of her output is in American now so I have not been able to persue her much beyond that.
      I believe her sketches of Wanstead are invaluable and she really ought to be commemorated in the borough in some way

      Regards
      Greg Roberts

  4. Hello, Greg
    I’m in touch with the people in America and am hoping to pull some of the strands together involving her and her uncle George Bowles – who has his grave/memorial there, but is not as well known as he should be in terms of art history. I’ve tracked down his travel journals in the US (including journeys on which Anne was with him), so hopefully something will come of that. Perhaps a joint plaque for the two of them as she wouldn’t have been in Wanstead Grove without his enlightened approach to legacies to women. By the way, do you know if there are any plans or pictures of Wanstead around the time George Bowles took it over, before Anne’s refurbishments?

    • Hello again Anne

      I think you might have some success by contacting Redbridge Archives and Heritage, which is based in the main Library at Ilford
      They have a good collection of old maps and images.
      I quite agree with you about George being enlightened for ensuring he lweft his fortune to a lady
      I have personally not had any luck finding anything of Grove Park Wanstead other than the lovely watercolours produced by Anne during her residence there.

  5. Thanks, Greg – I’ve looked up Redbridge Archives (where Georgina Green suggests in an article that there are some paintings by Anne), but couldn’t find a documents index, so I’ll e-mail them. I’d be happy to be in touch by e-mail in more detail if that’s easier as I progress with the hunt!

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